Genre Talk with Carole Cummings and Rick R. Reed
March 25

Genre Talk with Carole Cummings and Rick R. Reed

Hullo, all! Since Lisa has yet to bar the doors of The Novel Approach, I’m here today with DSP Publications authorRick R. Reed to talk about suspense and serial killers and anonymous hookups. But all in a good way! (…Wait, is there a good way to talk about serial killers? 0_o Eh, Rick will figure it out.)

But first, let’s take a quick look at what Rick has in store for us with his new release, IM:


IM-400x600The Internet is the new meat market for gay men. Now a killer is turning the meat market into a meat wagon.

One by one, he’s killing them. Lurking in the digital underworld of, he lures, seduces, and charms, reaching out through instant messages to the unwary. When the first body surfaces, openly gay Chicago Police Department detective Ed Comparetto is called in to investigate. At the scene, the young man who discovered the body tells him the story of how he found his friend. But did this witness play a bigger role in the murder than he’s letting on?

For Comparetto, this encounter is the beginning of a nightmare—because this witness did more than just show up at the scene of the crime; he set the scene.

Comparetto is on a journey to discover the truth—before he loses his career, his boyfriend, his sanity… his life. Because in this killer’s world, IM doesn’t stand for instant message… it stands for instant murder.


Carole: Thanks for being here with us, Rick. How about we kick things off with the basics: tell us about your genre.

Rick: Thriller, suspense, horror…I think there are many overlaps here (even with mystery) and they all fascinate me. I think IM falls as much into the psychological suspense category as it does the thriller category. Either way, the book (and the genre) are marked by escalating peril (suspense) and, usually a sense of dread. What should keep people turning the pages in any good thriller is an investment in the characters, so you need to keep reading to discover what happens next.

Carole: Why M/M?

Rick: I write M/M or gay fiction because I’m a gay man myself. I have an investment in telling the stories of my “people” in a way that I hope is entertaining, thought-provoking and, more often than not, touching.

Carole: I’m sure your fans would say your work is all those things, Rick. So tell us about this release in particular. Tell us about IM.

Rick: It’s been a long journey with IM, because this is its third edition. It was originally published in 2007 as a paperback by the Quest imprint of Regal Crest Enterprises. The book struck a chord because it plays on both the fear and excitement of anonymous online hookups, a form of meeting up that continues to grow. This new edition is, if I may say so, the most awesome edition. Starting with the arresting and gorgeous cover design by Reese Dante, the book has been thoroughly re-edited, so I think this is the best possible version of IM for readers.

Carole: IM is being published through DSP Publications, Dreamspinner Press’s imprint for nonromance genre novels. Tell us about the relationship in IM and why it doesn’t fit the accepted definition of Romance in the M/M genre.

Rick: I was thrilled that one reviewer recently compared the terror in IM to that found in The Silence of the Lambs, one of my favorite thriller/horror tales. I suppose IM fits better at DSP Publications because of the escalating suspense and sense of dread that defines the plot arc. We have one twisted serial killer at the heart of things—and a compelling mystery: is this killer even alive? Or was he murdered himself? The romantic aspect of the story is strong (it’s between the Chicago cop investigating the case and the love interest he finds along the way—a librarian who helps him with more than just research). Because the suspense of the story is so predominant, the romance naturally takes a back seat, so I think that’s why IM is such a splendid fit for the new imprint.

Carole: Okay, you’ve told us about the journey of IM’s publication. Now tell us about the evolution of the story. What was its earliest incarnation as a concept and when did it begin to take the form of IM?

Read more at The Novel Approach.


Other related books